51. The Crucible 12th - 15th Jan 2000The Crucible by Arthur Miller

12th-15th January

Studio Theatre, mac

Our second visit to Millers blistering witch hunt saw us populate Parris house and Danforth’s court with a full complement of over 100 villagers. The strong cast of principles saw many later taking up places at a range of drama schools including Richard Morgan, Steve Giles, Vicky Hanlin – LAMDA, Matt Hill and Bethan James – Arts Ed, Beth Nestor- RADA and Cian Barry – Webber Douglas.

 

More Grimms Tales61. More Grimm Tales 15th - 18th Dec 1999

Carol Ann Duffy and Tim Supple

15th-18thDecember

Hexagon Theatre, mac

Stage2 presents the second part of Duffy and Supples’ adaptation of the humorous, exciting and magical tales from over 150 years ago. This production was first performed at the beginning of December in Leipzig, Germany as part of a youth exchange. Gareth Knapman, a member of the cast, later moved to Leipzig to work with the exchange group Speilkiste, before setting up his own company in Germany.

 

62. ACDC 29th - 31st July 1999Adult Child/Dead Child

by Claire Dowie (Adapted by James Yarker)

7th-21st August  Bedlam  Theatre, Edinburgh  “Even  if you think you know it well, you will never have seen it quite like this.  Stage2’s production doesn’t so much open up the monologue as shatter it.  James Yarker, from experimental theatre company Stan’s Cafe, directs as if in  the eye of a hurricane, a device that increases the intensity of the piece so  the emotion is so explosive it can hardly be contained.” The Guardian.  “A fantastic piece of theatre…brilliantly conveyed by a sixteen strong  ensemble.” Three Weeks. “Astonishingly mature performances from the  youthful cast.” Theatre Review. “The perfect cast for Claire  Dowie’s popular monologue. Sensational performances in an adaptation of wit  and passion.” The Scotsman

 

63. Amadeus 22nd - 24th July 1999Amadeus

by Peter Shaffer

22nd-24thJuly

StudioTheatre, mac

“Literate, brilliantly paced, totallyengrossing and perceptively revealing of the author’s true intentions. Thetruly impressive young actor Tom Darvill (Salieri) compels us to sit up, takenotice and comprehend. Moving easily between embittered ancient and schemingyounger man, his voice wonderfully modulated, his gestures mesmerising, Darvilldraws us into this sad man’s torment. Craig Painting’s Mozart grows fromirritating pantomine dame into something much more rounded – his physical decayharrowingly conveyed. Liz Light’s entire huge company deserves plaudits, notleast for its verbal choreography.” The Birmingham Post

 

B-Movie65. B-Movie 15th - 17th July 1999

By Stage2 & Scott Burnett

15th-17th July

HexagonTheatre, mac

B-Movie’ or ‘The Monster that the Budget Forgot’was another collaboration with Scott Burnett. Enter Ed Wood’s world of madscientists, flying saucers, wobbly sets and monsters galore. This play featureda notable double act from future soap stars Abi Curtis (Georgia, ‘Hollyoaks’)and Lauren Crace (Danielle, ‘Eastenders’).

59. Romeo & Juliet 7th - 10th April 1999Romeo & Juliet

By William Shakespeare

7th-10th April

Studio  Theatre, mac

“Breath-taking  youngsters! This extraordinary, beautifully lit production defies criticism.  It has a company of nearly 140 and the discipline Liz Light has injected is  remarkable. The most breathtaking aspect of all is the Juliet of 13 year old  Anna Wright, mature beyond her years in a performance which embraces sparkle  and tragedy with equal aplomb. This is a name which will surely enchant us for  years to come. Tom Stevens is an exciting Romeo, alert to all the nuances of  his role. Excellent support comes from Craig Painting, Katy Hamilton, and  Naomi Gudge to name a few of a company which has a habit of making us revise  any preconceived notions we may have of youth theatre. Tremendous!”.  Evening Mail.